Cabin fever remake10/31/2022 Zariwny is also more dependent on sudden jump-scares and loud noises than Roth was, and one of the most significant alterations is that Nathan Barr and Angelo Badalamenti’s memorably moody ’03 score by has been supplanted by overinsistent music by Kevin Riepl. There were clearly too many hands in the pie-and speaking of which, the infamous “finger-bang” scene is still here, along with most of the other nasty highlights, and the makeup FX certainly deliver the goods (though their creators, for some reason, go uncredited).Ī few minor variations have in fact been pulled on the death scenes, most notably one that is given an extra, pointless level of drawn-out sadism. #Cabin fever remake plus#Roth and Randy Pearlstein once again receive screenplay billing, but the more telling credits are for the 16 producers, executive producers, co-producers and co-executive producers, plus seven additional associate producers, on a film that inevitably feels like it was made by committee rather than by one ambitious fan-turned-director. The calculatedly offensive explanation Bert (here played by Ingram) previously offered for hunting squirrels has also been deleted, which may be just as well in this day and age but is symptomatic of how Cabin Fever 2016 has lost its inspiration’s satiric edge. The old proprietor in the original, a very specific character who delivers the politically incorrect setup for what proves to be its best punchline, has become a couple of standard-issue redneck creeps, and the whole joke is gone. #Cabin fever remake movie#But first, they make a stop at a rustic roadside store, where the difference between this movie and its predecessor first becomes pronounced. As anyone who’s seen Roth’s Cabin Fever knows-and if they don’t, they’re advised to start there-the car contains a quintet of college students (played by Gage Golightly, Matthew Daddario, Samuel Davis, Nadine Crocker and Dustin Ingram) on the way to what will become a most unpleasant getaway, thanks to a virulent flesheating virus. He does ill-advisedly call up memories of a past classic by opening in the mode of The Shining, with overhead shots of a car traveling a rural road and “Dies Irae” on the soundtrack. Its unapologetic homage to the graphic, gritty horrors of those bygone decades was something of an anomaly back then, but there have been countless screen tributes to them since, and the new Cabin Fever, directed by Travis Zariwny (billed as “Travis Z”), adds nothing in terms of style or content to the long parade of throwbacks. The film that launched Roth’s career in 2003 was already something of a “remake” itself, in which he synthesized his love for ’70s/’80s dead-kids-in-the-woods movies into a gruefest with its own rude personality. The 2016 Cabin Fever has been described as an exact scene-for-scene remake of Eli Roth’s original, while also coming billed as featuring “new characters and new kills.” Neither turns out to be exactly the case, but one thing it indisputably lacks is a reason to exist. While the original film was popular with horror fans and some critics, many also raised concerns about the script's mean-spirited nature and unsympathetic treatment of its female characters - criticisms that have followed Roth through much of his career (particularly regarding the two Hostel films.) A pair of sequels, Cabin Fever 2: Spring Fever and Cabin Fever: Patient Zero were later produced by other filmmakers without Roth's direct involvement.Editor's Note: This was originally published for FANGORIA on February 12, 2016, and we're proud to share it as part of The Gingold Files. Roth famously wrote the original film in 1995 while a student at NYU, but found himself for years unable to sell it to studios, who at the time were unwilling to take a chance on any horror films that didn't follow the self-aware teenage-melodrama angle of the then-popular Scream franchise. Fans of the original will also likely recognize a new analogue to the kung-fu kicking "Pancakes!" kid from the original, here sporting a creepy paper bunny mask. As with the original, the plot involves a group of teenagers who trek to the titular cabin for a weekend of sex and drinking, but instead become infected by a flesh-eating virus that has begun to consume the area. The new film has been produced by Roth, supposedly utilizing that same screenplay as the first film, but moving the action from the deep woods to a lakeside cabin in the Pacific Northwest.
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